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| 1901 |
| | | A change of palette by Pablo Picasso takes him into what becomes known as his Blue Period | |
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| 1905 |
| | | Henri Matisse completes his painting Luxe, Calme et Volupté | |
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| 1905 |
| | | Pablo Picasso's palette becomes warmer as Blue evolves into Rose | |
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| 1905 |
| | | Henri Matisse, in the south of France, paints The Open Window, Collioure, the first of his many works on this theme | |
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| 1905 |
| | | Matisse, Derain and others, exhibiting in Paris their shockingly colourful new works, are dubbed fauves ("wild beasts") by a critic | |
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| 1906 |
| | | Pablo Picasso's portrait of Gertrude Stein prefigures cubism in its mask-like treatment of her face | |
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| 1906 |
| | | A large retrospective exhibition in Paris gives Paul Gauguin a growing posthumous reputation | |
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| 1907 |
| | | Pablo Picasso's Les Demoiselles d'Avignon, a violent transition into cubism, is a turning point in western art | |
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| c. 1908 |
| | | Georges Braque's Houses at L'Estaque introduces analytic Cubism | |
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| 1908 |
| | | The French critic Louis Vauxcelles describes Braque's latest landscapes as being composed of cubes, resulting in the term cubism | |
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